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The Color Wheel: Choosing and Mixing Paint Colors Plus Mandala Paint Project

The Color Wheel: Choosing and Mixing Paint Colors Plus Mandala Paint Project

Revisit elementary school art class as we review the color wheel and explore paint colors that play well together.

completed mandala


Exploring the color wheel is an excellent undertaking for any artist.  Understanding the relationship between colors can help you select paint colors that work well together and convey the mood or effect you want.  Color theory also allows you to anticipate the results of mixing paint colors and to avoid accidentally creating muddy colors.

The traditional color wheel is a circle filled with 12 pie-shaped wedges.  The colors on the wheel are divided into 3 groups and arranged to show their relationship to each other.

color wheel


Three wedges are primary colors: red, yellow, and blue.

Paint: Liquitex Basics in Primary Red, Primary Yellow, Primary Blue



Three wedges are secondary colors: green, violet or purple, and orange.  These colors are made by mixing together equal parts of 2 primary colors.

Red + Yellow = Orange
Red + Blue = Purple
Blue + Yellow = Green

secondary colors
Paint: Liquitex Basics in Primary Red, Primary Yellow, Primary Blue



Six wedges are tertiary or intermediate colors:  yellow-orange or orange-yellow; yellow-green or green-yellow; blue-green or green-blue; blue-violet or violet-blue; red-violet or violet-red; and orange-red or red-orange.   These colors are made by mixing together one primary color with an adjoining secondary color.

Red + Orange = Red-Orange or Orange Red
Red + Violet = Red-Violet or Violet-Red
Yellow + Green = Yellow-Green or Green-Yellow
Yellow + Orange = Yellow-Orange or Orange-Yellow
Blue + Green = Blue-Green or Green-Blue
Blue + Violet = Blue-Violet or Violet-Blue

tertiary colors
Paint: Liquitex Basics in Primary Red, Primary Yellow, Primary Blue


Additional colors are created from these basic 12 by mixing in white, black or gray paint.  A color with white paint added is called a tint.  The addition of black paint creates a shade.  Gray paint added to a color makes a tone.

Color Wheel Challenges

When it comes to colors, one challenge artists face is that names on paints from the store do not always match the color name you’ll find on the color wheel. Here are some common paint colors and approximately where each fall on the wheel.

  • YellowHansa Yellow, Cadmium Yellow
  • Yellow - OrangeCadmium Yellow Deep
  • OrangeCadmium Orange
  • Orange - RedPyrrole Orange
  • RedPyrrole Red, Cadmium Scarlet
  • Red - VioletQuinacridone Magenta
  • VioletDioxazine Violet
  • Violet - BlueUltramarine Violet
  • BlueManganese Blue, Phthalo Cyan
  • Blue - GreenCobalt Teal Blue, Phthalo Turquoise
  • GreenPermanent Green, Hookers Green
  • Yellow - GreenGreen Gold, Phthalo Yellow Green

Another challenge is that primary colors are not all the same.  One paint labeled yellow is not necessarily the same as the next paint labeled yellow.  Instead, most lines of paint include “warm” versions of the primary and “cool” versions.  Warm colors lean toward yellow and cool colors lean toward blue.  Whether a primary is warm or cool affects the secondary colors that result when the paints are mixed.

This warm color wheel illustrates the beautiful red, orange, and yellow colors possible from warm yellow and red primaries.  These warm primaries also create some lovely green shades.  But what happened to purple?  The colors on the violet side of the color wheel are muted, tending toward browns, because of the “yellow” present in the blue and red primaries.

Color wheel mixed using warm primaries – Liquitex Basics Cadmium Yellow Medium Hue, Cadmium Red Medium and Ultramarine Blue.


In contrast, the color wheel using the cool primaries yields orange and red colors more closely resembling terra cottas because of the “blue” in the primaries.  These greens are also lovely, but brighter, and more typical violet colors are produced.

Color wheel mixed using cool primaries – Liquitex Basics Cadmium Yellow Light Hue, Quinacridone Magenta, and Phthalocyanine Blue.


Color Mixing Tips

Artists are often careful not to mix colors opposite on the color wheel together because they make “mud.”  That is, opposite colors – blue and orange, red and green, and purple and yellow – create dull neutral colors when mixed.  But sometimes you want mud!  By using colors from your painting to create neutral browns and grays, those neutrals will automatically go with the rest of the colors in your work.

Add a little dark paint to a light paint – not light paint to a dark paint.  Considerably more light paint is needed to lighten a dark color than vice versa.  Add a little opaque paint to transparent paint for the same reason.

The color mixes in this article all were created using student grade paint.  One of the drawbacks to student grade paint is that colors often contain a mixture of pigments to approximate a more expensive paint pigment.  When you’re ready, upgrading to an artist grade paint will allow you to work with single pigments.


Of course, the best way to understand what happens when you mix paint is by mixing paint!  If you’re working with a paint set, pull out the primary colors and do these same paint experiments with your own supplies.   Keep your experiments on hand in your studio to use as a reference when painting.  Or turn one of your experiments into this beautiful mandala painting!


Canvas Board, 10×10 in.
Ruler or yardstick
Paint in your choice of primary colors (red, yellow, and blue) plus black, white, and gray)
Paint brushes, angle shader and round detail


Apply gesso to your canvas board if needed.  Allow to dry.

Use a straight edge and pencil to draw a line from one corner of the board to the diagonal opposite. Repeat for other two corners.


Place a protractor at the intersection of the two lines and mark the canvas at 30, 60, 120, and 150 degrees. Flip the canvas vertically and repeat in the opposite direction.


Use a straight edge to draw a line that runs across the width of the canvas and intersects matching marks (30-degree mark to 30-degree mark). Repeat for all protractor marks. When finished, you should have a set of 6 lines that intersect at the center of the canvas.


Set the dimension of your compass to about 2.5 in. Place the point of the compass at the center of the canvas and draw a circle.


Keeping the compass set to the same size, place the point of the compass where the center circle intersects the radial lines and draw another circle.


Repeat at the other points where the center circle intersects the radial lines, drawing a total of 6 circles.


Draw two large circles as shown.


Choose your favorite trio of primary colors and paint each wedge of the mandala using one color from the color wheel – plus its tint, tone, and shade.  (Remember: add white paint for the tint, gray paint for the tone, and black paint to create the shade.)   Select a pattern placement for the color-tint-shade-tone in the first wedge and carry this pattern out with the other colors and wedges.  Paint the background black.

completed mandala

Thanks for stopping by! Lee Ann

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